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Blackmagic URSA Cine 12K LF 100G Body
£7,526.40£6,272.00 inc VAT
Available to pre-order: Expected mid-late June 2026
Free delivery: Contact Shotwize for delivery timescales
Blackmagic URSA Cine 12K LF 100G
Get all the features of Blackmagic URSA Cine 12K with 100G Ethernet for SMPTE-2110 live digital film. Additionally get up to 440fps. The large format RGBW 36x24mm sensor offers 16 stops dynamic range. Options include PL, LPL, EF and B4 mounts.
Blackmagic URSA Cine is a revolutionary digital film camera platform combining advanced technologies with total integration into the latest post-production workflows. It’s the first digital film camera with high-speed network storage built in and high-speed networking for cloud sync. URSA Cine introduces new large-format RGBW sensors with larger photo-sites for incredible dynamic range. You can swap between PL, LPL, EF and B4 lens mounts. Plus, URSA Cine can output live SMPTE-2110 IP video for cinematic live production. There’s even WiFi and SRT streaming for remote client viewing! Industry-standard LEMO and Fischer connections make it perfect for high-end cinema production.
Add Cinematic Quality to Live Production
When the camera is set to SMPTE-2110 Live in the menu, it instantly transforms into a live studio camera! You get real-time SMPTE-2110 IP video from the 10G Ethernet connector, supporting up to 2160p60 with cinematic quality and 16 stops of dynamic range. That’s well beyond traditional broadcast cameras. Additionally this 100G model outputs live video up to 440 fps for amazing slow-motion sports replays!
Cinematic Large Format Sensor
Featuring a revolutionary new sensor, Blackmagic URSA Cine delivers incredible image quality at all resolutions from 4K to a massive 17K! Building on the original 12K RGBW Super 35 sensor, the new large-format design features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color super sampling, optimized to deliver rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in-sensor scaling means you can record at all resolutions without any cropping!
Interchangeable Lens Mounts
Different projects require different lenses, which is why Blackmagic URSA Cine 12K LF 100G features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and even broadcast B4 mounts! That means you can work with PL or LPL cinema lenses, or EF photographic lenses, making URSA Cine compatible with the widest range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot, then vintage photographic lenses for a period drama! Plus, each mount has contact pins to read lens metadata for monitoring and post-production. With Blackmagic URSA Cine, you have the freedom to choose the perfect lens for any kind of work!
NB: Below image is for illustration purposes only. Please refer to specification tab for this product.
ATEM Camera Control Panel
When you need to control Blackmagic URSA Cine cameras for live production, the ATEM Camera Control Panel is the perfect choice, letting you control four cameras simultaneously. It uses traditional CCU-style controls, and each channel can easily change its camera number, so you can control many more. The panel connects to any ATEM switcher, which then controls the cameras. A large iris control dominates the panel, moving up and down to adjust the camera iris. Rotating the knob sets the black level, while pushing it routes the camera to the aux output for monitoring. There are also knobs for red, green and blue tint, plus controls for ND filters and tally feedback for the on-air camera.
NB: Below image is for illustration purposes only. Please refer to specification tab for this product.
Specifications
Camera Features
Effective Sensor Size
35.64mm x 23.32mm (Large Format)
Pixel Pitch
2.9 microns
Lens Mount
PL mount. Interchangeable with URSA Cine lockable EF mount included.
Lens Control
Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses.
Dynamic Range
16 Stops
Shooting Formats
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4608 x 2592 (4.6K 16:9 B4 crop)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Frame Rates
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
High Speed Frame Rates
12K 3:2 open gate up to 80 fps
12K 17:9 up to 100 fps
12K 2.4:1 up to 120 fps
9K 3:2 Super 35 up to 100 fps
8K / 4K 3:2 open gate up to 144 fps
8K / 4K 2.4:1 up to 224 fps
4.6K B4 crop 16:9 up to 240 fps
Built in ND Filters
Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus
Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screens
2 x Monitoring Screens
1 x Camera Status Screen
Monitoring Screen Dimensions
5 inch.
Monitoring Screen Resolution
1920px x 1080px
Monitoring Screen Brightness
1500 nits.
Monitoring Screen Type
LCD capacitive touchscreen
Metadata Support
Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls
Touchscreen menus on 5 inch screen. Push buttons for other controls. 6 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Outputs
3
SDI Video Outputs
2
SDI Rates
1.5G, 3G, 6G, 12G.
100G 2110 IP Networks
1 x 100G QSFP28 connection.
2110 IP Video Outputs
1 x 100G QSFP28 connection.
2110 IP Video Inputs
1 x 100G QSFP28 connection.
Senders and Receivers per 100G
1 x Ultra HD
Analog Audio Inputs
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headset jack
Analog Audio Outputs
1 x 3.5mm headset jack
Reference Inputs
Tri-Sync/Black Burst and Timecode.
PTP clock and timecode over 2110 IP network.
Viewfinder
1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor.
USB-C Monitor Outputs
2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.
Accessories
1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
1 x 3-pin Fischer ‘RS’ for power out and run/stop.
Computer Interface
2 x USB-C side expansion ports for camera accessories.
Software updates using side USB‑C closer to rear.
Ethernet
1 x 100Gb/s QSFP28 connector for sending and receiving 2110 IP video or SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
Power
1 x 8-pin Lemo compatible +24V DC power input.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Standards
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE Compliance
SMPTE 2110‑20, SMPTE 2110‑21, SMPTE 2110‑30, SMPTE 2110‑40, SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
IP Video Compliance
SMPTE 2110-20 (Uncompressed Video)
IGMP v2
SMPTE 2110-21 (Traffic Shaping)
Sender: Narrow
Receiver: Narrow, Wide Synchronous, Asynchronous
SMPTE 2110-30 (PCM)
Audio Conformance level: Level C
SMPTE 2110-40 (Ancillary Data)
Full access to entire SMPTE ancillary data stream. Includes RP 188/SMPTE 12M-2, closed captioning and HDR static metadata.
Codec
Blackmagic IP10 codec optional for 2160p59.94 and 2160p60 as 2110 IP video.
Precision Time Protocol
IEEE 1588-2008 (PTP v2)
ST 2059-1
ST 2059-2
NMOS IS-04 Discovery and Registration
v1.3.2
Peer-to-peer via mDNS/DNS-SD
NMOS IS-05 Connection Management
v1.1.2
NMOS BCP-002-01
Natural Grouping
NMOS BCP-004-01
Receiver capabilities
Media
Media
1 x Blackmagic Media Module.
Media Format
Blackmagic
Supported Codecs
Codecs
Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Bitrate 18:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic IP10
Control
External Control
Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
Cloud Synchronization
Streaming
Direct Streaming
Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
Network Management
NTP
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
FTP
Download files from any drive attached to your camera using FTP.
Web Media Manager
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
SMB
File sharing using SMB
Storage Features
Storage Type
1 x Blackmagic Media Module 8TB
Storage Rates
Storage rates based on 24 frames per second.
12K – 12,288 x 8040
Blackmagic RAW 3:1 – 1,194 MB/s
Blackmagic RAW 8:1 – 448 MB/s
Blackmagic RAW 12:1 – 299 MB/s
Blackmagic RAW 18:1 – 199 MB/s
Blackmagic RAW Q0 – 398 to 1,433 MB/s
Blackmagic RAW Q1 – 326 to 796 MB/s
Blackmagic RAW Q3 – 179 to 448 MB/s
Blackmagic RAW Q5 – 120 to 358 MB/s
9K – 17,520 x 8,040
Blackmagic RAW 3:1 – 714 MB/s
Blackmagic RAW 8:1 – 268 MB/s
Blackmagic RAW 12:1 – 179 MB/s
Blackmagic RAW 18:1 – 119 MB/s
Blackmagic RAW Q0 – 238 to 857 MB/s
Blackmagic RAW Q1 – 195 to 476 MB/s
Blackmagic RAW Q3 – 107 to 268 MB/s
Blackmagic RAW Q5 – 72 to 214 MB/s
8K – 8192 x 5360
Blackmagic RAW 3:1 – 533 MB/s
Blackmagic RAW 5:1 – 320 MB/s
Blackmagic RAW 8:1 – 200 MB/s
Blackmagic RAW 12:1 – 133 MB/s
Blackmagic RAW Q0 – 320 to 639 MB/s
Blackmagic RAW Q1 – 228 to 533 MB/s
Blackmagic RAW Q3 – 133 to 400 MB/s
Blackmagic RAW Q5 – 100 to 266 MB/s
4K – 4096 x 2680
Blackmagic RAW 3:1 – 135 MB/s
Blackmagic RAW 4:1 – 101 MB/s
Blackmagic RAW 5:1 – 81 MB/s
Blackmagic RAW 6:1 – 68 MB/s
Blackmagic RAW Q0 – 202 to 336 MB/s
Blackmagic RAW Q1 – 135 to 311 MB/s
Blackmagic RAW Q3 – 101 to 238 MB/s
Blackmagic RAW Q5 – 81 to 202 MB/s
Recording Formats
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
[9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at:
[4608 x 2592]
sensor centre crop format suitable for Blackmagic URSA Cine Mount B4 with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality Rates for 17K and 12K are: Q0 9:1 – 2.5:1, Q1 11:1 – 4.5:1, Q3 20:1 – 8:1, Q5 30:1 – 10:1
Constant Quality Rates for 8K are: Q0 5:1 ‑ 2.5:1, Q1 7:1 ‑ 3:1, Q3 12:1 ‑ 4:1, Q5 16:1 ‑ 6:1
Constant Quality Rates for 4K are: Q0 2:1 ‑ 1.2:1, Q1 3:1 ‑ 1.3:1, Q3 4:1 ‑ 1.7:1, Q5 5:1 ‑ 2:1
Actual storage rates are dependent on image subject matter.
Software
Software Included
URSA Cine Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Operating Systems
Mac 15.0 Sequoia,Mac 26.0 Tahoe or later.
Windows 11Power Requirements
Power Supply
+24V DC external power supply 100 – 240 AC 50/60Hz compatible with IEC C14 socket.
B-Mount battery plate.
Power Input
1 x 8‑pin Lemo compatible socket for external power or battery use.
Molex connector for rear battery plate.
Power Output
1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply.
1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply.
B-Mount battery plate including 2-pin connector with +12V regulated output from camera.
Accessories
Optional Accessories
Blackmagic URSA Cine EVF
Blackmagic URSA Cine Studio Viewfinder
Blackmagic PYXIS Monitor
Blackmagic PYXIS Monitor Kit
Blackmagic PYXIS Monitor EVF Kit
Blackmagic URSA Cine Mount PL
Blackmagic URSA Cine Mount LPL
Blackmagic URSA Cine Mount EF
Blackmagic URSA Cine Mount B4
Blackmagic URSA Cine B4 Adapter Cable
Blackmagic URSA Cine Mount Shims
Blackmagic URSA Cine Battery Plate B Mnt
Blackmagic URSA Cine Battery Plate Gold
Blackmagic URSA Cine Battery Plate VLock
Blackmagic URSA Cine Baseplate 15
Blackmagic URSA Cine Baseplate 19
Blackmagic URSA Cine Handle
Blackmagic URSA Cine Grips
Blackmagic URSA Cine 5″ LCD Sunshade
Blackmagic Media Dock
Blackmagic Media Module CF
Blackmagic Media Module 8TB
Blackmagic Media Module 16TB
ATEM Streaming Bridge
Physical Specifications
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 45°C (-4° to 113°F)
Relative Humidity
0% to 90% non-condensing
In the box
What’s Included
Blackmagic Media Module 8TB
Blackmagic URSA Cine Handle and bolts
Blackmagic URSA Cine Top Rod Mount
Blackmagic URSA Cine Baseplate 19
Blackmagic URSA Cine Battery Plate B Mount
Blackmagic URSA Cine Rubber Caps for connectors
Blackmagic URSA Cine WiFi Antennas
Blackmagic URSA Cine Mount EF and mount screws
Blackmagic URSA Cine 24V 250W power supply
Blackmagic EF Body Cap
Blackmagic PL Body Cap
Plastic folding screen hood for 5” LCD
DaVinci Resolve Studio with activation key
Welcome wallet with QR code for software download
Blackmagic Sticker
Pelican 1510 Case with custom foam
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