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Blackmagic URSA Cine 12K LF Kit
£12,810.00£10,675.00 inc VAT
Free delivery: Contact Shotwize for delivery timescales
Blackmagic URSA Cine 12K LF Kit
The Blackmagic URSA Cine 12K LF Kit is a revolutionary high-end digital film camera. It comes with a new large-format RGBW 36x24mm sensor and 16 stops of dynamic range. It has interchangeable PL, LPL and EF lens mounts, 10G Ethernet, live SMPTE-2110 and more! Furthermore, this is the kit version with additional accessories in the box including a Pelican case.
A Camera Body optimized for High End Productions!
The Blackmagic URSA Cine 12K LF is designed to meet the demands of any high-end production. To begin with, the camera body features a robust magnesium alloy chassis, which provides exceptional durability for demanding shooting environments. In addition, a lightweight carbon fiber polycarbonate composite skin helps you move quickly and efficiently on set. At the same time, soft-touch backlit buttons make the controls easy to see and operate in all lighting conditions.
Moreover, there is a 5-inch fold-out touchscreen for reviewing shots and accessing camera settings with ease. In addition, the camera includes a dedicated assist station on the opposite side of the body, featuring another 5-inch LCD and full camera controls, allowing crew members to monitor and adjust settings independently. Furthermore, standard LEMO and Fischer connectors enable remote camera control while also supplying power to lens motors and other accessories.
Finally, the camera offers a comprehensive range of professional connectivity options, including 12G-SDI output, 10G Ethernet, USB-C, XLR audio, and much more, ensuring seamless integration into virtually any production workflow.
Cinematic Large Format Digital Film
The large-format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area of the 12K LF gives you a stunning 3:2 open gate image. You can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios. These include 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!
NB: Below image is for illustration purposes only. Please refer to specification tab for this product.
Interchangeable Lens Mounts
Different projects require different lenses, which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and even broadcast B4 mounts! That means you can work with PL or LPL cinema lenses, or EF photographic lenses, making URSA Cine compatible with the widest range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot, then vintage photographic lenses for a period drama! Plus, each mount has contact pins to read lens metadata for monitoring and post-production. With Blackmagic URSA Cine, you have the freedom to choose the perfect lens for any kind of work!
Built in Monitoring and Assist Station
With multiple monitoring options, Blackmagic URSA Cine lets crews work faster on set! The fold-out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side, there’s a dedicated assist station with a second 5″ HDR touchscreen, allowing crew to work around the camera without needing external monitors. Plus, with a 1,500 nit display and removable sunshade, it’s always visible even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!
Rugged Industry Standard Connections
The wide range of industry-standard connections on URSA Cine make it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors at the front provide record start/stop and 24V power, so are ideal for on-board accessories such as focus motors. Camera power is provided by a standard 24V 8-pin LEMO connection, plus there’s an additional 2-pin LEMO 12V connection at the rear for lower-voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on two different monitors, even with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!
Get the Quality of Blackmagic RAW Recording
Blackmagic RAW is a revolutionary codec designed to capture and preserve the full quality of the sensor data from your camera. Files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure complete image consistency on set and throughout post-production. Constant quality options lock the quality level, allowing compression to adapt and match the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. When Blackmagic URSA Cine records to the Blackmagic Media Module 8TB, you can get over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!
Blackmagic Generation 6 Color Science features numerous imaging improvements. The advanced URSA Cine sensor allows extremely accurate color reproduction for natural and pleasing skin tones. The processing pipeline has been redesigned using 3D LUTs for film, extended video and video gamuts, so you can customize output by loading your own LUTs. The LUTs are applied after the color corrector, so corrections are on top of full film gamut. You can output different color spaces using preloaded LUTs including Rec. 709, 2020 and PQ, plus you can even customize the gamut compression! URSA Cine now has two 3D LUT processors for different outputs and an extra 3D LUT just for the SMPTE-2110 output.
Includes Built in Optical Low Pass Filter
The high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems. This occurs with ultra-sharp modern lenses and high-resolution sensors, creating unwanted interference patterns. Using an optical low pass filter minimizes that interference, resulting in a significant reduction of moiré and aliasing. Blackmagic URSA Cine includes a high-performance optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response, which, when combined with the advanced Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for entirely new levels of image fidelity.
Work at Higher Frame Rates
With the ability to shoot in 4K, 8K, Super 35 9K and even incredibly detailed 17K, Blackmagic URSA Cine is multiple cameras in one! You can shoot 100 fps in 12K 12,288 x 6,480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can capture 144 fps at 8,192 x 5,360, 180 fps at 8,192 x 3,408 and even 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! Only Blackmagic URSA Cine has such flexible frame rate and resolution options, with incredible motion rendering and smoother edges in 8K and 4K, even at lower frame rates. Plus, you can achieve even higher frame rates on the 100G Ethernet model when using a B4 lens mount and outputting SMPTE-2110 live video!
NB: Please follow this Shotwize link for the 100G Ethernet Model : Blackmagic Cameras Link
High Performance Internal Media for Recording
Blackmagic URSA Cine is the first digital film camera with ultra-fast, high-capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access files directly over high-speed 10G Ethernet. Or you can use media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration!
Watch the Video
Specifications
Camera Features
Effective Sensor Size
35.64mm x 23.32mm (Large Format)
Pixel Pitch
2.9 microns
Lens Mount
PL mount. Interchangeable with URSA Cine lockable EF mount included.
Lens Control
Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses.
Dynamic Range
16 Stops
Shooting Formats
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Frame Rates
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
High Speed Frame Rates
12K 3:2 open gate up to 80 fps
12K 17:9 up to 100 fps
12K 2.4:1 up to 120 fps
9K 3:2 Super 35 up to 100 fps
8K / 4K 3:2 open gate up to 144 fps
8K / 4K 2.4:1 up to 224 fps
Built in ND Filters
Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus
Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screens
2 x Monitoring Screens
1 x Camera Status Screen
Monitoring Screen Dimensions
5 inch.
Monitoring Screen Resolution
1920px x 1080px
Monitoring Screen Brightness
1500 nits.
Monitoring Screen Type
LCD capacitive touchscreen
Metadata Support
Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls
Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Outputs
2
SDI Rates
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack
Reference Inputs
Tri-Sync/Black Burst and Timecode.
Viewfinder
1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor.
USB-C Monitor Outputs
2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.
Accessories
1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
1 x 3-pin Fischer ‘RS’ for power out and run/stop.
Computer Interface
2 x USB-C side expansion ports for camera accessories.
Software updates using side USB‑C closer to rear.
Ethernet
1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Standards
SD Video Standards
None
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
Media
Media
1 x Blackmagic Media Module.
Media Format
Blackmagic
Supported Codecs
Codecs
Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Bitrate 18:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Control
External Control
Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
Cloud Synchronization
Streaming
Direct Streaming
Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
Network Management
NTP
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
FTP
Download files from any drive attached to your camera using FTP.
Web Media Manager
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
SMB
File sharing using SMB
Storage Features
Storage Type
1 x Blackmagic Media Module 8TB
Storage Rates
Storage rates based on 24 frames per second.
12K – 12,288 x 8040
Blackmagic RAW 3:1 – 1,194 MB/s
Blackmagic RAW 8:1 – 448 MB/s
Blackmagic RAW 12:1 – 299 MB/s
Blackmagic RAW 18:1 – 199 MB/s
Blackmagic RAW Q0 – 398 to 1,433 MB/s
Blackmagic RAW Q1 – 326 to 796 MB/s
Blackmagic RAW Q3 – 179 to 448 MB/s
Blackmagic RAW Q5 – 120 to 358 MB/s
9K – 17,520 x 8,040
Blackmagic RAW 3:1 – 714 MB/s
Blackmagic RAW 8:1 – 268 MB/s
Blackmagic RAW 12:1 – 179 MB/s
Blackmagic RAW 18:1 – 119 MB/s
Blackmagic RAW Q0 – 238 to 857 MB/s
Blackmagic RAW Q1 – 195 to 476 MB/s
Blackmagic RAW Q3 – 107 to 268 MB/s
Blackmagic RAW Q5 – 72 to 214 MB/s
8K – 8192 x 5360
Blackmagic RAW 3:1 – 533 MB/s
Blackmagic RAW 5:1 – 320 MB/s
Blackmagic RAW 8:1 – 200 MB/s
Blackmagic RAW 12:1 – 133 MB/s
Blackmagic RAW Q0 – 320 to 639 MB/s
Blackmagic RAW Q1 – 228 to 533 MB/s
Blackmagic RAW Q3 – 133 to 400 MB/s
Blackmagic RAW Q5 – 100 to 266 MB/s
4K – 4096 x 2680
Blackmagic RAW 3:1 – 135 MB/s
Blackmagic RAW 4:1 – 101 MB/s
Blackmagic RAW 5:1 – 81 MB/s
Blackmagic RAW 6:1 – 68 MB/s
Blackmagic RAW Q0 – 202 to 336 MB/s
Blackmagic RAW Q1 – 135 to 311 MB/s
Blackmagic RAW Q3 – 101 to 238 MB/s
Blackmagic RAW Q5 – 81 to 202 MB/s
Recording Formats
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
[9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality Rates for 17K and 12K are: Q0 9:1 – 2.5:1, Q1 11:1 – 4.5:1, Q3 20:1 – 8:1, Q5 30:1 – 10:1
Constant Quality Rates for 8K are: Q0 5:1 ‑ 2.5:1, Q1 7:1 ‑ 3:1, Q3 12:1 ‑ 4:1, Q5 16:1 ‑ 6:1
Constant Quality Rates for 4K are: Q0 2:1 ‑ 1.2:1, Q1 3:1 ‑ 1.3:1, Q3 4:1 ‑ 1.7:1, Q5 5:1 ‑ 2:1
Actual storage rates are dependent on image subject matter.
Software
Software Included
URSA Cine Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Operating Systems
Mac 14.0 Sonoma,Mac 15.0 Sequoia or later.
Windows 10 and 11.Power Requirements
Power Supply
+24V DC external power supply 100 – 240 AC 50/60Hz compatible with IEC C14 socket.
B-Mount battery plate.
Power Input
1 x 8 pin Lemo compatible socket for external power or battery use.
Molex connector for rear battery plate.
Power Output
1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply.
1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply.
B-Mount battery plate including 2-pin connector with +12V regulated output from camera.
Accessories
Optional Accessories
Blackmagic URSA Cine EVF
Blackmagic PYXIS Monitor
Blackmagic PYXIS Monitor Kit
Blackmagic PYXIS Monitor EVF Kit
Blackmagic URSA Cine Mount PL
Blackmagic URSA Cine Mount LPL
Blackmagic URSA Cine Mount EF
Blackmagic URSA Cine Mount Shims
Blackmagic URSA Cine Battery Plate B Mnt
Blackmagic URSA Cine Battery Plate Gold
Blackmagic URSA Cine Battery Plate VLock
Blackmagic URSA Cine Baseplate 15
Blackmagic URSA Cine Baseplate 19
Blackmagic URSA Cine Handle
Blackmagic URSA Cine Grips
Blackmagic URSA Cine 5″ LCD Sunshade
Blackmagic Media Dock
Blackmagic Media Module 8TB
ATEM Streaming Bridge
Physical Specifications
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 45°C (-4° to 113°F)
Relative Humidity
0% to 90% non-condensing
In the box
Blackmagic URSA Cine 12K Body
Blackmagic URSA Cine Mount PL (installed)
Blackmagic URSA Cine Mount EF and screws
Blackmagic Media Module 8TB
URSA Cine Handle and bolts
URSA Cine Top Rod Mount 15
URSA Cine Baseplate 19
Plastic folding screen hood for 5” assist station
URSA Cine Battery Plate B Mount
1x Set of WiFi Antennas
URSA Cine PL Body Cap
URSA Cine EF Body Cap
Set of rubber caps for connectors
+24V DC 250W power supply
DaVinci Resolve Studio with activation key
Welcome wallet with QR code for software download
Blackmagic Sticker
Custom foamed Pelican 1510 case
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