Professional & Broadcast Audio Visual Equipment



Tascam DR-40X 4-Track Portable Digital Audio Recorder
£159.00£132.50 inc VAT
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Free delivery: Gets to you in 3-5 days
The Tascam DR-40X 4-Track is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.
A pair of cardioid condenser microphones handles high sound pressure levels and can be set up in AB or XY orientation for a wide stereo field or extra-clear reproduction with reduced phase displacement between both channels. Users can also use their own microphones or line-level source through dual Neutrik XLR/TRS combo jacks that support both mic level and +4 dBu line level from mixers or the FOH console. The microphone preamps include 48-volt phantom power and plenty of gain to capture everything from small whispers to loud live sounds. Using the stereo built-in microphones, you can capture ambient sound of the audience while recording directly from an external console, which is ideal for live performances. Like its predecessor, the DR-40X 4-Track also offers dual-level recording, a feature that helps to avoid distortion by providing a second recording file created with a lower level setting.
Tascam DR-40X 4-Track Portable Digital Audio Recorder Instruction Manual:
Watch the video
Features
- Portable, high-quality handheld recording
- Compact size and easy operation
- SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
- Supported audio formats:
- Linear PCM (WAV/BWF format) at 44.1/48/96 kHz and 16/24-bit
- Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
- Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)
Recording
- Built-in cardioid stereo condenser microphone
- Accepts high sound pressure level up to 125 dB
- Easy setup (AB and XY configuration supported)
- XY configuration allows mono compatible recordings and high sound localization acuity (lively interviews or field recordings with ambience)
- Good directivity and channel separation
- Ideal for live music and field recording, news gathering, music training etc.
- MS decoder for recordings created with mid/side microphone configuration
- Stereo XLR/TRS mic/line input with phantom power (supports +4 dB line level input)
- 4-track recording
- Create two stereo recordings from the built-in microphones and the external mic/line input at the same time
- Create two stereo recordings with different level settings from the built-in microphones or external mic/line input at the same time
- Non-destructive overdub: Record a mix of one or two stereo playback files and a stereo input signal to a new stereo file or record only the input signal while playing back one stereo file
- Mixdown feature with level, pan and effect controls for each track (creates a stereo track from a 4-track recording)
- Overwrite function for punch-in recording with one level of Undo
- MS decoder for recordings created with mid/side microphone configuration
- Switchable low-cut filter (40 Hz, 80 Hz, 120 Hz, 220 Hz)
- Manual or automatic recording level setting
- Three Options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
- Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
- Auto recording start and stop by input level
- Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
- Create a new file during recording (manually or by file size)
- Mark function (manual or automatic, up to 99 marks for each file)
Playback
- Automatic level align allows to increase the perceived overall sound pressure during playback
- Variable speed audition to change the playback tempo without affecting the key (50–200 %)
- Repeat function (repeat one track or all tracks)
- Loop function (repeat a marked section)
- Playlist feature to play files in a certain order
- Resume function (start playback from the audio position where the unit was last stopped)
- Jump back function to instantly review playback (1–10, 20, 30 seconds)
- Equalizer for tone control during playback
- MP3 ID3 tag display (up to version 2.4)
- Built-in monitor loudspeaker
- Headphones/Line output
Other features
- Built-in reverb effect (6 presets, can be applied to input or output signal)
- Chromatic tuner function to tune your instrument
- File divide function to cut unwanted noise or to extract parts from long recordings
- Folder management to organize your files
- Hold function to avoid inadvertent operation
- QUICK menu button for easy access to various functions
- Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
- Clear, backlit LC display
- USB 2.0 port for file transfer to/from computer
- Power supply by 3 AA size Alkaline or NiMH batteries (up to 15 hours continuous operation with phantom power off), USB bus power or optional AC adapter (Tascam PS-P520E)
- Long-time operation of over 20 hours is possible using just the internal batteries
- Rubber feet included for improving the acoustic properties during desktop recordings
- Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
- Optional footswitch (RC-3F) and wired remote control (RC-10)
Specification
General
- Recording media:
- microSD card (64 MB – 2 GB)
- microSDHC card (4–32 GB)
- microSDXC card (48–128 GB)
- Recording/playback formats:
- BWF: 44.1/48/96 kHz, 16/24 bit
- WAV: 44.1/48/96 kHz, 16/24 bit
- MP3: 44.1/48 kHz, 32/64/96/128/192/256/320 kbit/s
- Number of channels: 4 channels (2 × stereo)
Audio inputs and outputs
- External Mic/Line input:
- XLR/jack combo connectors
- (XLR can provide phantom power)
- Headphones / Line output: 3.5-mm stereo mini jack
- Built-in loudspeaker: 0.3 W (mono)
Control inputs/outputs
- USB port: Micro-B connector
- Format: USB 2.0 High Speed mass storage class
- REMOTE connector: 2.5-mm TRS jack
Audio performance
- Frequency response:
- 20 Hz – 20 kHz +1/−3 dB
- (MIC/EXT IN to LINE OUT, Fs 44.1 kHz, JEITA)
- 20 Hz – 22 kHz +1/−3 dB
- (MIC/EXT IN to LINE OUT, Fs 48 kHz, JEITA)
- 20 Hz – 40 kHz +1/−3 dB
- (MIC/EXT IN to LINE OUT, Fs 96 kHz, JEITA)
- 20 Hz – 20 kHz +1/−3 dB
- Total harmonic distortion:
- ≤0.01 %
- (MIC/EXT IN to LINE OUT, Fs 44.1/48/96 kHz, JEITA)
- ≤0.01 %
- S/N ratio:
- ≥94 dB
- (MIC/EXT IN to LINE OUT, Fs 44.1/48/96 kHz, JEITA)
- ≥94 dB
- Note: JEITA indicates compliance with JEITA CP-2150
Approximate battery operation time (continuous operation)
- Alkaline batteries (Evolta)
- WAV, 96 kHz, 24 bit: 14:30 (two-track recording with built-in mics)
- WAV, 44,1 kHz, 16 bit: 18:00 (two-track recording with built-in mics)
- 6:30 (Phantom power, 48 V, 2 × 3 mA)
- MP3, 44,1 kHz, 128 kbit/s: 16:00 (two-track recording with built-in mics)
- WAV, 96 kHz, 24 bit: 8:30 (four-track recording with built-in mics and line input)
- WAV, 44,1 kHz, 16 bit: 9:00 (four-track recording with built-in mics and line input)
- MP3, 44,1 kHz, 128 kbit/s: 9:00 (four-track recording with built-in mics and line input)
- WAV, 96 kHz, 24 bit: 14:00 (two-track playback using headphones)
- WAV, 44,1 kHz, 16 bit: 19:30 (two-track playback using headphones)
- MP3, 44,1 kHz, 128 kbit/s: 16:30 (two-track playback using headphones)
- WAV, 96 kHz, 24 bit: 14:00 (four-track playback using headphones)
- WAV, 44,1 kHz, 16 bit: 16:00 (four-track playback using headphones)
- MP3, 44,1 kHz, 128 kbit/s: 16:30 (four-track playback using headphones)
- NiMH rechargeable batteries (Eneloop):
- WAV, 96 kHz, 24 bit: 11:00 (two-track recording with built-in mics)
- WAV, 44,1 kHz, 16 bit: 16:00 (two-track recording with built-in mics)
- 5:30 (Phantom power, 48 V, 2 × 3 mA)
- MP3, 44,1 kHz, 128 kbit/s: 12:30 (two-track recording with built-in mics)
- WAV, 96 kHz, 24 bit: 7:30 (four-track recording with built-in mics and line input)
- WAV, 44,1 kHz, 16 bit: 7:30 (four-track recording with built-in mics and line input)
- MP3, 44,1 kHz, 128 kbit/s: 8:00 (four-track recording with built-in mics and line input)
- WAV, 96 kHz, 24 bit: 12:00 (two-track playback using headphones)
- WAV, 44,1 kHz, 16 bit: 15:30 (two-track playback using headphones)
- MP3, 44,1 kHz, 128 kbit/s: 13:00 (two-track playback using headphones)
- WAV, 96 kHz, 24 bit: 11:30 (four-track playback using headphones)
- WAV, 44,1 kHz, 16 bit: 12:30 (four-track playback using headphones)
- MP3, 44,1 kHz, 128 kbit/s: 13:30 (four-track playback using headphones)
Power supply and other specifications
- Power requirements:
- 3 AA batteries (alkaline or NiMH)
- USB bus power from a computer
- AC adapter (Tascam PS-P520E, sold separately)
- Power consumption: 1.7 W (maximum)
- Current draw: 0.34 A (maximum)
- Dimensions (W × H × D):
- 70 mm × 155 mm × 35 mm (mics folded in)
- 90 mm × 155 mm × 35 mm (mics folded out)
- Weight:
- 213 g (without batteries)
- 282 g (with batteries)
- Permissible operating temperature range: 0–40 °C
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